I’ve long been fascinated by the detail of sound, whether in a dense audible field or in the
quietest environment. Indeed, it is locations we think of as ‘still’ that draw me in most.
Listening to the stridulation of insects is just one way we can move nearer to the world in which small occurrences often create the loudest sonic elements. By shifting our perception we can understand more clearly how fluid, how active stillness really is.

On ‘Colony’ Hiroki Sasajima presents us with eighteen movements; a few minutes each, intense and strident, capturing the language within locations dominated by these sonic elements to such an extent that it is the normal human instinct to filter them out.
One of the reasons I remain fascinated by the act of field recording, the art of listening, is its ability to remove those filters and ‘Colony’ reminds us of that process.
-Jez Riley French

Colony is a collection of raw recordings focused on communication signals of small insects
and sounds taken from their natural habitat. Over the course of almost three years, I made
recordings at several locations at specific times of the year when the insects become most
active. Various soundscapes exist, defined by different characteristics of the small spaces
that they inhabit. Insects have an extraordinarily acute sense of hearing, and there is
documentation that they respond to a wide range of sounds and can freely adjust the level
of their hearing in accordance with the sounds of their own. Sound is the most important
component of their lives, which made it interesting to recreate the sounds of their immediate
surroundings and their signals of communication.

Colony is entirely free of artificial or man-made sounds, eliminated so that the sounds from the insects' surroundings can be heard as clearly as possible. The actual spaces that we human beings inhabit in everyday life, of course, are always closely connected to theirs.
From a bush in our yard, a park at a city street corner, to areas that are rural, a myriad of
communities exist in various places. In Japanese culture, appreciating the sounds of insects
is a tradition that goes back to olden times, their sounds enjoyed as songs, a voice or
a message from another creature. Many such sounds exist in the changing of the seasons
and in a delicate natural environment, certain to keep stimulating our own sensibility.
-Hiroki Sasajima

01. Colony 1 (03:32) 5,09Mb DOWNLOAD
02. Colony 2 (03:04) 5,47Mb DOWNLOAD
03. Colony 3 (02:40) 4,03Mb DOWNLOAD
04. Colony 4 (02:28) 3,35Mb DOWNLOAD
05. Colony 5 (02:14) 4,23Mb DOWNLOAD
06. Colony 6 (02:28) 3,46Mb DOWNLOAD
07. Colony 7 (02:04) 3,31Mb DOWNLOAD
08. Colony 8 (03:10) 4,34Mb DOWNLOAD
09. Colony 9 (03:08) 6,76Mb DOWNLOAD
10. Colony 10 (02:08) 3,37Mb DOWNLOAD
11. Colony 11 (02:54) 3,76Mb DOWNLOAD
12. Colony 12 (03:24) 4,84Mb DOWNLOAD
13. Colony 13 (01:20) 2,85Mb DOWNLOAD
14. Colony 14 (02:44) 3,81Mb DOWNLOAD
15. Colony 15 (01:56) 2,87Mb DOWNLOAD
16. Colony 16 (03:04) 4,09Mb DOWNLOAD
17. Colony 17 (02:14) 3,20Mb DOWNLOAD
18. Colony 18 (03:36) 4,79Mb DOWNLOAD

00. Artwork (ZIP) 3,07Mb DOWNLOAD
00. Complete package (Artwork + Mp3 Sound files) (ZIP) 75,0Mb DOWNLOAD
00. Complete package (Artwork + FLAC Sound files) (ZIP) 200Mb DOWNLOAD


I rarely come across an audio publication that dedicates its content to the sounds of insects, so for me ‘Colony’ was like a breath of fresh air. Hiroki Sasajima spent three years recording insects in a range of locations and this final compilation demonstrates both his technical ability and acute sensitivity as a recordist to his acoustic environment.

Each recording possesses its own signature sound and there is much variety between tracks, which keeps the listening experience fresh and engaging. Hearing the insects in the context of their immediate surroundings is another reason why ‘Colony’ works so well. The background of each recording provides an essential layer to the soundscape and helps create the overall atmosphere.

At times the sounds are incredibly intense and one can only imagine what it must be like to experience this in the field. The energy contained within these signals is almost tangible and you can’t help but admire the endurance and sonic power of these small creatures.

‘Colony’ also exposes the listener to the natural rhythms of insect communication. When thinking of musicality in nature, most would automatically turn their thoughts to birdsong, but other animal groups, especially insects and amphibians, also demonstrate a high degree of regularity and rhythm.

There is no information on the species featured in these recordings, which leads me to wonder how Sasajima approached the project. Did he compile a checklist of “star” insects that were gradually tracked down?  Or was he simply inspired by the sounds he heard and decided to record them purely on the merits of their interest, structure and relationship with the surrounding environment? I may be wrong but I get the feeling that it’s the latter.

This collection of field recordings is a wonderful homage to the complexity and beauty of sound communication in insects. Sasajima has an innate affinity with the natural world and successfully uses sound as a medium for sharing his obvious love for natural environments. ‘Colony’ is another fine example of this longstanding relationship and comes highly recommended.

-Cheryl Tipp (from The Field Reporter)



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artwork/cover design:
©2012 Hiroki Sasajima
©2012 David Vélez
©2012 Hiroki Sasajima
©2012 Impulsive Habitat

This work is licensed under a BY-NC-SA 3.0
Creative Commons License.

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